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Saturday, March 3, 2012

Top 10 Michael Jackson Moments of the '80s



1. Savvy Young Star Secures Unprecedented Royalty Rates

Although Jackson's financial status has been in question for many years - never more so than in the immediate wake of his 2009 shocking death - he set himself up for plenty of riches in 1980 with a royalty deal that promised him about one-third of his music's wholesale profits, a figure that comes out to about $2 per album at the time. One can never know if Jackson had any idea that Thriller, his 1982 follow-up to the smash 1979 release Off the Wall, would become the biggest-selling album of all time (a distinction it still holds today). Nonetheless, this is an early (Jackson had hardly reached his twenties, after all) display of business genius that accompanied the singer's tremendous level of artistic and commercial success to come.




Now that he's suddenly gone forever, Michael Jackson is guaranteed to receive various tributes and appear as the subject of all manner of remembrances. Some of these will inevitably focus on his perceived physical and behavioral oddities, as well as the controversies that have swirled around Jackson for the better part of the last half-century. But when it comes to pop culture, the superstar was everywhere during the '80s. Here's a look at some of Jackson's most memorable '80s moments, all of which cemented him before the decade was out as, arguably, the most famous and successful entertainer of all time.

2. Motown 25 Live Performance - the Moonwalk

In March 1983, still in the relatively early part of Thriller's 80 consecutive weeks as a Top 10 album on Billboard's Hot 200 chart, Jackson performed live on Motown's 25th anniversary television special to tremendous audience notice. With more than 47 million viewers, the appearance clearly rivaled the Elvis Presley and Beatles Ed Sullivan Show landmark performances, and so Jackson's public debut of his "Moonwalk" dance functioned as just so much sparkly icing on the cake. As if his success weren't already like an out-of-control pop culture wildfire, Jackson injected his unique sense of style and fashion completely into the American bloodstream. "Iconic" began to take on fresh meaning in the wake of Jackson's dominion.

3. Jackson Still on Fire in '84... Literally

With Thriller still holding its impressive grip on record-buyers in America and increasingly worldwide, practically anything Jackson did had a tendency to make the news. But in January 1984, while filming a TV commercial for Pepsi Cola in Los Angeles, Jackson suffered second-degree burns to his scalp when his hair caught fire as the result of pyrotechnics gone wrong. The incident did not gravely endanger the singer, but it did reveal his tendency toward philanthropy. Donating his $1.5 million settlement for the accident to a California burn center, Jackson certainly proved that his own profits were far from his only concern as a global citizen. Generosity and empathy were always a couple of his strengths, after all.

4. "We Are the World" & Humanitarian Peak

Demonstrating himself as a public figure more than willing to share his riches for what he determined to be worthy causes, Jackson led the rash of celebrities that contributed to famine relief single "We Are the World," a tune he co-wrote with fellow contemporary superstarLionel Richie. During the same period of 1984-1985, Jackson had already donated his considerable profits from his 1984 world tour to various charities, making him perhaps one of the most active and wealthy humanitarians of the mid-'80s. This period certainly made a strong case for Jackson's long-standing reputation as a force for good, despite the controversies and scandals that would dog him for the rest of his life.

5. Jackson Outbids Paul McCartney to Buy Up Beatles Songs

Jackson's collaborations with other stars during his peak period of popularity extended to many corners of the entertainment world, but his mid-'80s partnership with former Beatle Paul McCartney remained among his most visible. Despite a friendship with McCartney, Jackson aggressively sought to buy a song catalogue that contained many Lennon-McCartney compositions. Eventually the superstar dropped nearly $50 million to claim this batch of music, alienating McCartney and demonstrating clearly that as a public figure and individual, Jackson always expected nothing less than what he desired. Having apparently gained the idea from McCartney himself, perhaps Jackson surprised many with such barracuda business vigilance from a star so young.

6. Bubbles, the Elephant Man & Other Tabloid Publicity

As the second half of the '80s commenced, Jackson began to emerge as a tabloid figure of some notoriety, mainly for his odd behavior and flamboyant eccentricities both real and imagined. While Jackson did in fact acquire a pet chimpanzee he named Bubbles and treated with what the press regarded as an anthropomorphic excess of attention and affection, he actually fabricated stories such as the well-known tales that he slept in a hyperbaric oxygen chamber to slow the aging process and had purchased the bones of the Elephant Man. This combination of unusual press backfired ultimately for Jackson, resulting in the appearance of his long-standing nickname Wacko Jacko, a pejorative moniker he would grow to resent terribly.

7. Evidence of Drastically Changing Appearance Grows

Having already secured multiple plastic surgeries by even the period of his vast Thriller fame, Jackson nonetheless did not begin to appear shockingly different or more pale until around the time of his next blockbuster release, 1987's Bad. By this time, surgeries had notably changed his facial structure, but a straighter hairstyle and increasingly Caucasian skin color made Jackson look like almost a completely different person from the one who had dazzled audiences with Thriller and its accompanying smash music videos. This did little to derail his new album's sales, but combined with stories of questionable health and increasing physical fragility, Jackson's public image began to inspire as much confusion as it did joy among some fans.

8. Massive 'Bad' Tour Shatters More Records

During a world tour in support of the album's tremendous success - including an unprecedented five No. 1 pop singles - Jackson at one point drew just over half a million fans to only seven sold-out concerts at London's Wembley Stadium. Perhaps this achievement somehow inspired the singer's plan for a series of farewell shows intended to take place in 2009-2010, but if nothing else the jaw-dropping success and persistence of Bad maintained Jackson's remarkable stronghold on the entertainment universe. At this point the superstar's music was arguably losing some of its luster, but the same thing can certainly not be said about Jackson's fame or his continuing impact worldwide on legions of screaming fans.

9. Neverland Excess Ushers in Period of Gradual Decline

Also in 1988, Jackson purchased nearly 3,000 acres in California for more than $17 million, a modest fraction of the reported $125 million he was said to have earned the following year alone. Soon enough, Jackson had established a compound he dubbed Neverland, a kid-friendly theme park of sorts that would fuel years of speculation and judgment about the singer's widely labeled unusual affinity for children and their presence within his sprawling property. Jackson's apparent willingness to funnel his significant riches into enterprises the public was bound to deem frivolous if not suspicious probably damaged to some extent the goodwill he had generated through years of philanthropy for various causes, many benefiting children in particular.



10. Friend Liz Taylor Dubs Jackson the King of Pop

Although the "King of Pop" title has become so omnipresent during the last 20 years that it seems now to have been around forever, the nickname actually originated with Jackson's longtime friend, actress Elizabeth Taylor, who introduced the term while bestowing upon her iconic pal a lifetime achievement award in 1989. Even before the end of the decade he so thoroughly dominated, Jackson began to receive a number of accolades as one of pop music's all-time greats. Few have ever disputed the King of Pop designation, and once Jackson died in 2009 suddenly at age 50, the legendary label probably became all the stronger in terms of the performer's strictly entertainment-centered legacy. May Jackson's memory live on even in profound complication.

Friday, March 2, 2012

Top 10 Michael Jackson Songs of the '80s

Even if he had not released quality music for quite some time and functioned mainly as an occasional tabloid figure in the years leading up to his shocking 2009 death, Michael Jacksonwas and will always be one of the biggest superstars of music or any other mode of entertainment. He ruled parts of four decades in one form or another, so he certainly deserves due tribute as a hitmaking, calculating talent blessed with an amazing amount of artistic versatility. Witness the following list (in chronological order) of Jackson's top songs of the '80s, and then completists should move on for more '80s Michael Jackson songs.

1. "Off the Wall"

Album Cover Image Courtesy of Epic Records
Jackson's fusion of disco, pop, funk and soul on his breakthrough album,Off the Wall, may have been the King of Pop at his most deliciously tuneful and catchy, which is saying a lot when you consider the massive appeal of his follow-up, Thriller. This tune is underrated and underplayed, and its relative obscurity within Jackson's familiar catalogue makes it a welcome treat. A soaring chorus supported by a tight groove in the verse would become the singer's trademark. Here's the prototype.

This tune offers even stronger evidence that Jackson had very nearly reached his peak beforeThriller. At the very least, the singer's 1980 album Off the Wall was only a couple of steps behind where he would end up on his next record, so in that sense maybe the first half of the '80s was really just a comfortable, plateau-like apex for Jackson. But what a glorious period that was, and this song remains a very pure kind of pleasure three decades after its release. Though written by Rod Temperton and not Jackson himself, the song - particularly its buoyant bridge - ultimately sounds so much the singer's own that it's all too easy to put the question of authorship right out of your mind.

3. "Beat It"

Album Cover Image Courtesy of Epic Records
Clearly, though, it's difficult if not impossible to argue with the conventional wisdom that Jackson was at the height of his powers onThriller, as he glided from genre to genre with such ease. The singer particularly dipped into a fresh patch of rock music he'd never drawn from before for this one, and the contribution from Van Halen guitar wizard Eddie Van Halen was a major attribute that made the track stand out. Lyrically it's no masterpiece, but that's nothing new for Jackson. His key strength, after all, has always been his mastery of sound.
Jackson rekindles his knack for irresistible beats on this, the third of his amazing nine No. 1 singles of the '80s. It's certainly one of his best tunes, replete with anger, passion and complexity. Musically, it's blessed with a nifty melody and a bridge that trumps anything else the song has to offer. The premise of a woman who may or may not be wrongfully accusing the singer of an unsavory dalliance and a resulting pregnancy is decidedly nasty at times, which makes for interesting listening.

5. "Human Nature"

Though not bearing Jackson's songwriting stamp, this gentle and unique ballad boasts a haunting quality unlike anything released before or since by the King of Pop. It's odd maybe that one of the song's cowriters is one of the founding members of Toto, but whatever the source, there's no denying the magic on this track. Much of that majesty, of course, stems directly from Jackson's stunning, calculated vocal presentation. It's one of the few voices that could do the melody justice.

6. "Wanna Be Startin' Somethin'"

As with many Jackson songs, it's best not to examine the lyrics too closely here, unless you want to raise your eyebrows in puzzlement or have a chuckle. That being said, Jackson lays down a seductive groove here that cultivates a life of its own within the performance. No one can argue that, at his peak, Jackson was an irresistibly electric performer, and beneath all the generally futile attempts at macho posturing, that dynamism shines through in his greatest talent, his singing.

7. "Thriller"

The famous and theatrical music video with its groovy zombie dancers and cinematic heftcertainly overshadowed the song it was there to support, but what always comes through about this epic track is a giddy sense of fun. Oh, for the days when Jackson had and utilized a sense of humor. But the other extraordinary thing about this tune is how much it succeeds as a piece of pop culture excess (Vincent Price, anyone?) far larger than its musical qualities.

8. "Say Say Say"

Album Cover Image Courtesy of Capitol Records
Paul McCartney and Jackson also worked together on "The Girl Is Mine,"but this tune from McCartney's Pipes of Peace stands out particularly as an optimizing force for their combined talents. That is, the segments sung in alternating fashion by McCartney and then Jackson not only spotlight each individual singer efficiently but amount to a whole greater than the sum of its components. But ultimately it's up to Jackson to take the song beyond mere pleasantry, with his soaring, one-of-a-kind performance.

Album Cover Photo Courtesy of Epic Records
On the one hand, I'm ashamed to include this Bad song on a list meant to celebrate the best in a musical career, but on the other I can't help but give it its due. After all, when you get a message song from Michael Jackson, you can't be too surprised when it's burdened by a broad but shallow sense of right and wrong and good and evil. He's just never really been all that complicated. Still, there's something compelling just the same about this let's-just-stop-fighting-and-fix-the-world-together kind of idealism.

10. "Smooth Criminal"

Maybe it's appropriate that a few years back a short-lived band called Alien Ant Farm reminded us how much fun this rather silly tune can be. By the time Bad came out in 1987, Jackson was already clearly in a subtle state of decline. Yes, more No. 1 singles for the singer came from that album than any other, but only the most die-hard fans would argue that Bad is a better record than either Thriller or Off the Wall. "Smooth Criminal" is a last hurrah, where Jackson said goodbye to the decade he ruled.